whatareyoudiminuendoing

8/30/2011 1:22am

it was somewhere around 12:16am on tuesday, august 30, 2011, listening to the neon jugement, and the eventual lydia lunch that i realized this quite large tub structure to hold a hanging cast of david. i imagined there being excessive light coming from above, slamming into the ground. an orange rope would hoist&hold his body long enough for it to be encased in diminuendoing layerz of preservativez.

PWNTESTZ~1

9/24/2009 2:11am

rotary phone mod: 70v + 10-50 Hz sine wave (some modulated, most not) output to RED/GREEN, RED/YELLOW, YELLOW/GREEN, combination on beige 500 series rotary phone. also 220 (or 226?) series test on 5 wire combination. verified sound from low grade desktop 12v speakerz.


result: no ring.

determination: i need an oscilloscope.

idearz

6/24/2009 12:30am

SVN! need to version this shit...


porn title hyperlink story


mix-n-match beatz on fdt.com plug-n-play beatz

beat beat2 vox video

one one one one
two two two two
three three three three


browse the web in just commentz.



color meter
color gauge



TXT_RAITING_SYS
python?
add each new line to a unique cell in DB
after 2 bads pull quote out of DB
keep track of patterz
if good pull from near by quote?
if 2 good pull fresh from file.
don't go totally random- grab chunkz (10-50 lines) at once and add them to a temp table
assess the chunk then either stay on chunk 'till end or if it's bad go to a new chunk.

TTS?


VIDEO:
animated image filez
each image file has a selection of text applicable to caption title
each image or cluster of images could have a selectable chunk of text to be selected as most applicable to scenario.
kind of like annotationz















doing at this time ------>

3/17/2009 11:14pm

installing windows xp onto a 20gb harddrive

CABLE SELECT OR MASTER OR SLAVE

CS  M  S
[:][:][:]

duck_KCUD_FUCK_kcufCRTL+VV+LTRCfuck_KCUF_DUCK_kcud

11/11/2008 12:09pm

i_saw_a_pigeon_twice_
once_when_it_was_flapping_around_
just_flapping_around)flat(flap)flat(flap)flat(flap)flat(flap)flat(flap)CRTL+X
i_saw_a_pigeon_once_when_it_ought_be_dead
i_saw_a_pigeon_once_when_it_ought_be_dead
i_saw_a_pigeon_once_when_it_ought_be_dead
i_saw_a_pigeon_once_when_it_ought_be_dead
i_saw_a_pigeon_once_when_it_ought_be_dead
i_saw_a_pigeon_once_when_it_ought_be_dead
i_saw_a_pigeon_once_when_it_ought_be_dead

i_saw_a_pigeon_once_when_it_ought_be_dead

c:\>run upLIF77~%20PRGRM -simulate -obfuscate

8/12/2008 4:56pm

1. ##################
2. # in the spirit of uplifting
3. # taking the uprooted, out.
4. ###################
5.
6. heavy breathing gets [N/A(RA_TED)] with [edward.this]
7. include studio.h
8. from now:heafty+visual+debt+resource
9. from then:until+grave+payment

->return.

there is no input...

new title old title

6/7/2008 3:25pm

franks with beans
architects that offer something new

other than; opposed to; one half equals three


----------------------------------
| counter video
| ____ _______
| | | | |
| | 1 | | |
| |___| |_______|
|
| the person in the video will
| read the counter (off screen)
| as it increments every sec.
| the video will be played back
| next to the counter that is
| going to be incrementing at
| hopefully the same time as
| the person in the video is.
|___________________________________

ipod touch

2/3/2008 5:49pm

dear ipod touch,

you are a pretty nifty device- i must say.
i like your touch screen and everything you advertise.
however.

why must you only have two buttons? how am i supposed to turn the volume down or change the song whilst in my pocket?

why do you have separate application that only controls a few settings of other applications?
it's verb at the end like moving. mmm?

mail application needs to handle attachments better. c'mon man. a mail application.

i like your typing interface overall. i can't highlight your text. why? why ipod?

why must you charge me twenty dollars to “jailbreak” my phone. don't you know this is free?

SDK? jigga-what, jigga-who?

why can't i have more than one nested photo folder?

why don't you have a camera? and only 8gb of storage? i should of bough your older brother.

oh wait. he was one hundred more dollars...


with warmest regard,
ed

generic- but things around me:

1/21/2008 9:45pm

special price $1.59
stick on notes
sanford major ACCENT ACMI AP Conforms to ASTM D-4236 Nontoxic
FULLY VCA CONTROLLED

zune rant

1/2/2008 9:59am

okay. this is going to be different.



dear zune.

dammit, zune. why must you be such a let down?

i just want you to do whatever it is your going to do well.

if you want to sync wirelessly then fuck, have battery enough to do it.

if you want to come with your own pair of headphones then fuck, don't suck.

if you want to have an awesome marketplace application fuck, you fucked it up you fucking fucker.



love ed.

</fuck>

log4448258258258369.two

12/28/2007 11:31

two letters

(congratulations, you're pre-approved!*)



prsrt std

u.s. postage

PAID

credit one

pitney bowes

u.s. postage

$00.312

dec 13 2007

zip 17102

000100

21 6950139

log4448258258258369

12/28/2007 11:26

tdd,

i've not been included on the bemis announcement.

this seems odd. perhaps i fucked up.

my bad.

but the good news is:

i love todd

a nde ialso

l oveh hisn

u ttsb ecau

s ethe yare

s weet andy

u mmy dick.

ed













this is line 20

















this is line 29















this is line thirty-seven









this is line fourty2







it's like

trip butn

otun like

apla cewh

erea llgo

esdo wnin

ains tant







this is line sixty minus four







this is line sixty

this is line sixty plus one

this is line sixty plus one plus one

this is line sixty plus one plus one plus one

this is line sixty plus one plus one plus one plus one

this is line sixty plus one plus one plus one plus one plus one

this is line sixty plus one plus one plus one plus one plus one plus one

this is line sixty plus one plus one plus one plus one plus one plus one plus one

this is line sixty plus one plus one plus one plus one plus one plus one plus one plus one

this is line sixty nine

this is line sixty nine +1

this is line sixty nine +2



















this is not line sixty nine















this is the instant

wher re wea llgowhe

eand th eny ougowhe

eand th eny ougofuc

kdud ei jus tshitmy

pant sa ndn owiforg

otmy un der wearinn

ewje rs eyf uckit..

































this is not line one hundred and twelve

































oh my fucking god

he is waiting for

be it can not tea

pi ss and gow hee
















swimming

7/22/2007 7:47pm

i'd like a rain stick filled with jewels
and i'd like there to be live kangaroos in my cheerios



fuck truck lines getting dizzy with speed.


the blink of an eye causes pain
thiseyecauses pain
a blink of an eye causes pain
thiseyecauses pain


this causes me pain



sometimes there is just a time when this time is time after time


this is good because there really is a
is a
is a
is a a time when
this is all.
this is all done.


do you believe that the fish swim home at night?
do you believe that the fish swim home at night?
do you believe that the fish swim home at night?


 


my words are summoned by things not real
my imagined is summoned


 


my medical precinct is hallow


the poison is still in the worm
this is now over
this is
eject
this is
eject
this is
eject


tape my wounds up with your shit that goes on smoother
soothe me


season ended with not a whole lot to show.


 


this is not real
this is really not real
really.


this god is dead
this is your g.o.d


alright now, RUSH

system:art

3/29/2007 10:45pm

Once asked “What kind of art do you make- painting, clay?” I replied merely “I work with ideas- I am an artist of sorts.” To say that I am stylistic or categorical, save manageable, would be overzealous at most. To begin the process of making art a medium is not required; to begin the process of making art I write ideas in a sketchbook or on a canvas or on a piano or on a keyboard or on a sidewalk. With those ideas come others and with those others more still continue to come. Ideas can be time sensitive and only functional with time. To have an idea one must realize that there was an idea before that and probably many before that; so any ideas in the future rely on the ideas of the past.






“When words such as painting and sculpture are used, they connote a whole tradition and imply a consequent acceptance of this tradition, thus placing limitations on the artist who would be reluctant to make art that goes beyond the limitations.” Introducing Sol LeWitt from his Sentences on Conceptual Art. Sol LeWitt, dubbed the father of Minimal Art, brings up ideas that revolutionize the way art is thought about. Concept is all of a sudden something that deserves as much attention (if not more in cases) as the art object itself. The perception of art works in the opposite way of the creation of art. Creation begins with an idea and then is carried out through a medium while perception begins with a physicality and continues vis-à-vis conceptually. LeWitt starts bringing these conceptual issues to the table with Open Cube- an incomplete, lacquered aluminum cube. The idea of a cube is simple and the formula is one that is widely understood. The cube then begins to reference not itself but space outside as well as inside of itself. LeWitt then began making works that would be known as serial art- again emphasizing the idea rather than the product- which is usually not even hand crafted by the artist. This escape from art being crafty to art being intellectual has allowed for diversity in materials and strategy. No longer is an artist’s ability to craft an issue; no longer, then, can an artist be responsible for his physical work of art; no longer should this idea of craft ever be questioned. If intention of craft is questioned it can quickly be referred to his idea and that the end product is not of importance, because regardless, the idea still exists in time.






“Bruce Nauman is the artist we hate to love. With seemingly little effort, he pushes our buttons and provokes complicities responses.” Ann Wilson Lloyd so wisely put in 1994. With yet another artist pioneering a new front of art that seems to be independent of a classification system and even devoid of polemics, avant-garde, post-modernism we are left to infer, contemplate ideas that are perhaps not about the artist but that of ourselves. Perhaps it is so that an artist can not comprehend his art at any other level than his viewer. Again this idea of responsibility begins to emerge: at what point does the artist’s responsibility transcend the viewer’s responsibility. Learned Helplessness in Rats (Rock and Roll Drummer) pieces together an entire arsenal of mediums, objects, light, and sound. Unlike Nauman’s seemingly self-conscious works previous this work begins to paint a context of a socially conscious state. With the perception of these placed objects the viewer is initially outside the system but with more perception and observation the viewer begins a process of transformation: soon coming to the realization the rat does not exist but that the viewer himself is the rat. Nauman begins a reaction of sorts to the formal abstraction of Minimalism that artists like Eva Hesse, Robert Morris, and Louise Bourgeois seem to be similarly interested in. This transformation from Minimalism, which can still be argued that conception was not the crux of what was considered as an art form, is beginning to be seen in works of Nauman.






To speak and/or consider art one must rely on a system of art forms that are predisposed to physicality. To speak of an idea or concept still doesn’t seem to be an effective enough method of demonstration. To be considered artist one must still produce some physical object. Nauman and LeWitt paved the way in a beginning to think of art not as object but something not-tangible. The problem was not the artists, necessarily, but the way society and the economy worked. Intellectual property is not something that was a ground for income. One must have some sort of tangible medium to be compensated with. These capitalistic ideas are ones that still rein in artists even when claims of medium restriction have been rendered moot. This overt system begins to dictate an otherwise seemingly system-less, avant-garde method, approach to art making. To begin to negate a current system but still rely on it makes for incoherencies that almost render the entire idea/concept/art from dubious. This proclivity to negating the system has never or never will exist because rules can (and will) always be applied: if one is not following a rule then one is breaking it. On what terms can an artist pioneer new ground or is that still just an idea in a sea of ideas. How is it that art can progress? Even with a complete lack of trust and reliability in/of the system art still continues on. It seems as though the answers to these questions are not of importance but rather the question, in itself, is the encapsulated antiphon. History is designed to be a post-mortem look at the present and only works from now backwards. To think of anything now requires a system and perhaps that will not always be the case. However, to think of the future requires another system: art.

drukqs

10/21/2006 6:20pm

the near the what.

some one run run fuck.

a light on the dashboard illuminates a faace that.

a fffaaaacccce face fuck.

this is now what you're going to see this is now what you are going

to bed

to sleep to death to birth a nothing a nothing like

like what is now

now is here

this is what is your who

who is what

why are you

 

 

need a lift to the outside where you can fuck

fuck and forget that you are fucking

this is just a test of the civil emergency alert system

this is just a test of the civil emergency alert system

this is just a test of the civil emergency alert system

this is just a test of the civil emergency alert system

this is jsut a tessdfr dssufck

this is just a test

this sif ds u7fds

 

all broadcasts will resume

all resume will broadcase

all bradcast all bread casts

all alll alllll and more

 

 

 

 

then nothing.

 

flushed down the toilet

8/24/2006 8:53am

ring my body out

the cleansing.

please forget

forget the end is near


i’ve forgot.
have you?


wake and remember a time when it all was white
a time to remember
a time to enjoy

wake and remember a place that was white
a place to remember
a place to enjoy

fly swatting and a dull hum
fly swatting and a dull hum
fly swatting and a dull hum
fly swatting and a dull hum

say it is so hard to find

6/11/2006 1:21pm

I am the definitive black rainbow.

I am the light that fills your head at night when you are alone.

I am the sex that cures your disease. I am the love that you try to be.

The awestruck bandit of the decapitated youth sprays his slander on the world.

Start a fire in the well, push the red button, and speak and be spoken to.

This is your world motherfucker; welcome to it. –e#

6/11/2006 3:22pm

Dodging and darting into the abyss;


falling away. Well you might say.




We lie amidst our false pretensions and baggage claims


with me on your left and you on my right we sail away.


Never before known but rather never before seen but rather


never before believed.




The journey shall not end here it can, no


it must, go on; just on clearer seas.


For, you see, this is not an end


but a beginning. This is not a fork


but rather a bend.




We travel not separately but rather together.


We go not different directions but rather the same.




Only.




This is where I stop


and you go on. -e#

Danse Macabre

6/11/2006 1:10pm

yes.



this is the revolution. this is the beginning of something

that is never going to begin. This is what you need to know:

1. you are doomed to mediocrity

2. the revolution will not be televised

3. you are an agent of what is to become something you have never before imagined.

transcendence will soon dominate your vision of what is considered normal.

this my friend can not, no, will not be avoided. -e#

head shoulder knees and toes knees and toes

6/11/2006 1:06pm

funny mood right now. no. not funny ha-ha. funny weird. yes. that kind of funny. STOP YELLING. STOP GETTING SO FAR AWAY. the things i am used to are getting farther away. no. not that. my hands and feet. you see they just are not as close as before. sure i can still use them, see them, taste them. but they are now just farther away from my body. someday i will not have the liberty. no. there is got to be a sign somewhere that points in the direction of a blue plants that sees alongs the side of a road stretched in a direction that noone see or gets caught up in... -e#

think, stop, go, start, feed, feel, rest, start, begin, end, do, can't, win, lose

6/8/2006 10:45pm

Shining lights, shining disco lights in memory of a breed known only to a chosen few.

Please stop the cart, please stop the cart, push the cart, pull the cart.

Please stop the cart.

Please stop the

A million dots on a line a million more on a curve

My thoughts surround this thin line. This tiny, resonating, pulsating, this is a secret that I must share.

A thought. A tiny thought. Never before known.
Until now. When it all came undone.

A feeling of free

A feeling of doubt

Afeelingofuncertainty

A feeling of love?

No.


But how can this be? Can it simply not suffice for this heretic. Can this culminate in the house alone? Can. Can’t. Can.

Can’t.

What does a doer do when he can, or can’t.

What does the sayer say when he can’t, or can.

In the eyes of the peasant I no longer exist. My remains no longer remain.


What is here is now. And later will soon come.

Please stop the motherfucking cart. -e#

Edward’s manifestations in obedient consumerism:

5/9/2006 11:07pm

Garnier Fructis shampoo


Aveda Damage Control conditioner


Clearsil facewash


Axe Kilo body wash


Crest toothpaste


Axe Kilo Deodorant


Aveda Custom Control hair product


Theo Eyewear


Express jacket


Banana Republic Undershirt


FCUK Underwear


Bullhead Jeans


J Crew Tube Socks


American Eagle Shoes


Armani cologne


Sara Lee bread


Best Choice provolone cheese


Best Choice spicy mustard


Deli ham


Yoplait yogurt

rand_pic_40

rand_pic_40

daily_dump 10/26/2011 11:04pm:

wiki.edwardsharp.net

currently reading:

The Cow
by: Ariana Reines

currently watching:

Drive (2011)
by: Nicolas Winding Refn

currently hearing:

Machine Drams
by: Little Dragon