it was somewhere around 12:16am on tuesday, august 30, 2011, listening to the neon jugement, and the eventual lydia lunch that i realized this quite large tub structure to hold a hanging cast of david. i imagined there being excessive light coming from above, slamming into the ground. an orange rope would hoist&hold his body long enough for it to be encased in diminuendoing layerz of preservativez.
rotary phone mod: 70v + 10-50 Hz sine wave (some modulated, most not) output to RED/GREEN, RED/YELLOW, YELLOW/GREEN, combination on beige 500 series rotary phone. also 220 (or 226?) series test on 5 wire combination. verified sound from low grade desktop 12v speakerz.
result: no ring.
determination: i need an oscilloscope.
SVN! need to version this shit...
porn title hyperlink story
mix-n-match beatz on fdt.com plug-n-play beatz
beat beat2 vox video
one one one one
two two two two
three three three three
browse the web in just commentz.
color meter
color gauge
TXT_RAITING_SYS
python?
add each new line to a unique cell in DB
after 2 bads pull quote out of DB
keep track of patterz
if good pull from near by quote?
if 2 good pull fresh from file.
don't go totally random- grab chunkz (10-50 lines) at once and add them to a temp table
assess the chunk then either stay on chunk 'till end or if it's bad go to a new chunk.
TTS?
VIDEO:
animated image filez
each image file has a selection of text applicable to caption title
each image or cluster of images could have a selectable chunk of text to be selected as most applicable to scenario.
kind of like annotationz
installing windows xp onto a 20gb harddrive
CABLE SELECT OR MASTER OR SLAVE
CS M S
[:][:][:]
i_saw_a_pigeon_twice_
once_when_it_was_flapping_around_
just_flapping_around)flat(flap)flat(flap)flat(flap)flat(flap)flat(flap)CRTL+X
i_saw_a_pigeon_once_when_it_ought_be_dead
i_saw_a_pigeon_once_when_it_ought_be_dead
i_saw_a_pigeon_once_when_it_ought_be_dead
i_saw_a_pigeon_once_when_it_ought_be_dead
i_saw_a_pigeon_once_when_it_ought_be_dead
i_saw_a_pigeon_once_when_it_ought_be_dead
i_saw_a_pigeon_once_when_it_ought_be_dead
i_saw_a_pigeon_once_when_it_ought_be_dead
1. ##################
2. # in the spirit of uplifting
3. # taking the uprooted, out.
4. ###################
5.
6. heavy breathing gets [N/A(RA_TED)] with [edward.this]
7. include studio.h
8. from now:heafty+visual+debt+resource
9. from then:until+grave+payment
->return.
there is no input...
franks with beans
architects that offer something new
other than; opposed to; one half equals three
----------------------------------
| counter video
| ____ _______
| | | | |
| | 1 | | |
| |___| |_______|
|
| the person in the video will
| read the counter (off screen)
| as it increments every sec.
| the video will be played back
| next to the counter that is
| going to be incrementing at
| hopefully the same time as
| the person in the video is.
|___________________________________
dear ipod touch,
you are a pretty nifty device- i must say.
i like your touch screen and everything you advertise.
however.
why must you only have two buttons? how am i supposed to turn the volume down or change the song whilst in my pocket?
why do you have separate application that only controls a few settings of other applications?
it's verb at the end like moving. mmm?
mail application needs to handle attachments better. c'mon man. a mail application.
i like your typing interface overall. i can't highlight your text. why? why ipod?
why must you charge me twenty dollars to “jailbreak” my phone. don't you know this is free?
SDK? jigga-what, jigga-who?
why can't i have more than one nested photo folder?
why don't you have a camera? and only 8gb of storage? i should of bough your older brother.
oh wait. he was one hundred more dollars...
with warmest regard,
ed
special price $1.59
stick on notes
sanford major ACCENT ACMI AP Conforms to ASTM D-4236 Nontoxic
FULLY VCA CONTROLLED
okay. this is going to be different.
dear zune.
dammit, zune. why must you be such a let down?
i just want you to do whatever it is your going to do well.
if you want to sync wirelessly then fuck, have battery enough to do it.
if you want to come with your own pair of headphones then fuck, don't suck.
if you want to have an awesome marketplace application fuck, you fucked it up you fucking fucker.
love ed.
</fuck>
two letters
(congratulations, you're pre-approved!*)
prsrt std
u.s. postage
PAID
credit one
pitney bowes
u.s. postage
$00.312
dec 13 2007
zip 17102
000100
21 6950139
tdd,
i've not been included on the bemis announcement.
this seems odd. perhaps i fucked up.
my bad.
but the good news is:
i love todd
a nde ialso
l oveh hisn
u ttsb ecau
s ethe yare
s weet andy
u mmy dick.
ed
this is line 20
this is line 29
this is line thirty-seven
this is line fourty2
it's like
trip butn
otun like
apla cewh
erea llgo
esdo wnin
ains tant
this is line sixty minus four
this is line sixty
this is line sixty plus one
this is line sixty plus one plus one
this is line sixty plus one plus one plus one
this is line sixty plus one plus one plus one plus one
this is line sixty plus one plus one plus one plus one plus one
this is line sixty plus one plus one plus one plus one plus one plus one
this is line sixty plus one plus one plus one plus one plus one plus one plus one
this is line sixty plus one plus one plus one plus one plus one plus one plus one plus one
this is line sixty nine
this is line sixty nine +1
this is line sixty nine +2
this is not line sixty nine
this is the instant
wher re wea llgowhe
eand th eny ougowhe
eand th eny ougofuc
kdud ei jus tshitmy
pant sa ndn owiforg
otmy un der wearinn
ewje rs eyf uckit..
this is not line one hundred and twelve
oh my fucking god
he is waiting for
be it can not tea
pi ss and gow hee
i'd like a rain stick filled with jewels
and i'd like there to be live kangaroos in my cheerios
fuck truck lines getting dizzy with speed.
the blink of an eye causes pain
thiseyecauses pain
a blink of an eye causes pain
thiseyecauses pain
this causes me pain
sometimes there is just a time when this time is time after time
this is good because there really is a
is a
is a
is a a time when
this is all.
this is all done.
do you believe that the fish swim home at night?
do you believe that the fish swim home at night?
do you believe that the fish swim home at night?
my words are summoned by things not real
my imagined is summoned
my medical precinct is hallow
the poison is still in the worm
this is now over
this is
eject
this is
eject
this is
eject
tape my wounds up with your shit that goes on smoother
soothe me
season ended with not a whole lot to show.
this is not real
this is really not real
really.
this god is dead
this is your g.o.d
alright now, RUSH
Once asked “What kind of art do you make- painting, clay?” I replied merely “I work with ideas- I am an artist of sorts.” To say that I am stylistic or categorical, save manageable, would be overzealous at most. To begin the process of making art a medium is not required; to begin the process of making art I write ideas in a sketchbook or on a canvas or on a piano or on a keyboard or on a sidewalk. With those ideas come others and with those others more still continue to come. Ideas can be time sensitive and only functional with time. To have an idea one must realize that there was an idea before that and probably many before that; so any ideas in the future rely on the ideas of the past.
“When words such as painting and sculpture are used, they connote a whole tradition and imply a consequent acceptance of this tradition, thus placing limitations on the artist who would be reluctant to make art that goes beyond the limitations.” Introducing Sol LeWitt from his Sentences on Conceptual Art. Sol LeWitt, dubbed the father of Minimal Art, brings up ideas that revolutionize the way art is thought about. Concept is all of a sudden something that deserves as much attention (if not more in cases) as the art object itself. The perception of art works in the opposite way of the creation of art. Creation begins with an idea and then is carried out through a medium while perception begins with a physicality and continues vis-à-vis conceptually. LeWitt starts bringing these conceptual issues to the table with Open Cube- an incomplete, lacquered aluminum cube. The idea of a cube is simple and the formula is one that is widely understood. The cube then begins to reference not itself but space outside as well as inside of itself. LeWitt then began making works that would be known as serial art- again emphasizing the idea rather than the product- which is usually not even hand crafted by the artist. This escape from art being crafty to art being intellectual has allowed for diversity in materials and strategy. No longer is an artist’s ability to craft an issue; no longer, then, can an artist be responsible for his physical work of art; no longer should this idea of craft ever be questioned. If intention of craft is questioned it can quickly be referred to his idea and that the end product is not of importance, because regardless, the idea still exists in time.
“Bruce Nauman is the artist we hate to love. With seemingly little effort, he pushes our buttons and provokes complicities responses.” Ann Wilson Lloyd so wisely put in 1994. With yet another artist pioneering a new front of art that seems to be independent of a classification system and even devoid of polemics, avant-garde, post-modernism we are left to infer, contemplate ideas that are perhaps not about the artist but that of ourselves. Perhaps it is so that an artist can not comprehend his art at any other level than his viewer. Again this idea of responsibility begins to emerge: at what point does the artist’s responsibility transcend the viewer’s responsibility. Learned Helplessness in Rats (Rock and Roll Drummer) pieces together an entire arsenal of mediums, objects, light, and sound. Unlike Nauman’s seemingly self-conscious works previous this work begins to paint a context of a socially conscious state. With the perception of these placed objects the viewer is initially outside the system but with more perception and observation the viewer begins a process of transformation: soon coming to the realization the rat does not exist but that the viewer himself is the rat. Nauman begins a reaction of sorts to the formal abstraction of Minimalism that artists like Eva Hesse, Robert Morris, and Louise Bourgeois seem to be similarly interested in. This transformation from Minimalism, which can still be argued that conception was not the crux of what was considered as an art form, is beginning to be seen in works of Nauman.
To speak and/or consider art one must rely on a system of art forms that are predisposed to physicality. To speak of an idea or concept still doesn’t seem to be an effective enough method of demonstration. To be considered artist one must still produce some physical object. Nauman and LeWitt paved the way in a beginning to think of art not as object but something not-tangible. The problem was not the artists, necessarily, but the way society and the economy worked. Intellectual property is not something that was a ground for income. One must have some sort of tangible medium to be compensated with. These capitalistic ideas are ones that still rein in artists even when claims of medium restriction have been rendered moot. This overt system begins to dictate an otherwise seemingly system-less, avant-garde method, approach to art making. To begin to negate a current system but still rely on it makes for incoherencies that almost render the entire idea/concept/art from dubious. This proclivity to negating the system has never or never will exist because rules can (and will) always be applied: if one is not following a rule then one is breaking it. On what terms can an artist pioneer new ground or is that still just an idea in a sea of ideas. How is it that art can progress? Even with a complete lack of trust and reliability in/of the system art still continues on. It seems as though the answers to these questions are not of importance but rather the question, in itself, is the encapsulated antiphon. History is designed to be a post-mortem look at the present and only works from now backwards. To think of anything now requires a system and perhaps that will not always be the case. However, to think of the future requires another system: art.
the near the what.
some one run run fuck.
a light on the dashboard illuminates a faace that.
a fffaaaacccce face fuck.
this is now what you're going to see this is now what you are going
to bed
to sleep to death to birth a nothing a nothing like
like what is now
now is here
this is what is your who
who is what
why are you
need a lift to the outside where you can fuck
fuck and forget that you are fucking
this is just a test of the civil emergency alert system
this is just a test of the civil emergency alert system
this is just a test of the civil emergency alert system
this is just a test of the civil emergency alert system
this is jsut a tessdfr dssufck
this is just a test
this sif ds u7fds
all broadcasts will resume
all resume will broadcase
all bradcast all bread casts
all alll alllll and more
then nothing.
ring my body out
the cleansing.
please forget
forget the end is near
i’ve forgot.
have you?
wake and remember a time when it all was white
a time to remember
a time to enjoy
wake and remember a place that was white
a place to remember
a place to enjoy
fly swatting and a dull hum
fly swatting and a dull hum
fly swatting and a dull hum
fly swatting and a dull hum
I am the definitive black rainbow.
I am the light that fills your head at night when you are alone.
I am the sex that cures your disease. I am the love that you try to be.
The awestruck bandit of the decapitated youth sprays his slander on the world.
Start a fire in the well, push the red button, and speak and be spoken to.
This is your world motherfucker; welcome to it. –e#
Dodging and darting into the abyss;
falling away. Well you might say.
We lie amidst our false pretensions and baggage claims
with me on your left and you on my right we sail away.
Never before known but rather never before seen but rather
never before believed.
The journey shall not end here it can, no
it must, go on; just on clearer seas.
For, you see, this is not an end
but a beginning. This is not a fork
but rather a bend.
We travel not separately but rather together.
We go not different directions but rather the same.
Only.
This is where I stop
and you go on. -e#
yes.
this is the revolution. this is the beginning of something
that is never going to begin. This is what you need to know:
1. you are doomed to mediocrity
2. the revolution will not be televised
3. you are an agent of what is to become something you have never before imagined.
transcendence will soon dominate your vision of what is considered normal.
this my friend can not, no, will not be avoided. -e#
funny mood right now. no. not funny ha-ha. funny weird. yes. that kind of funny. STOP YELLING. STOP GETTING SO FAR AWAY. the things i am used to are getting farther away. no. not that. my hands and feet. you see they just are not as close as before. sure i can still use them, see them, taste them. but they are now just farther away from my body. someday i will not have the liberty. no. there is got to be a sign somewhere that points in the direction of a blue plants that sees alongs the side of a road stretched in a direction that noone see or gets caught up in... -e#
Shining lights, shining disco lights in memory of a breed known only to a chosen few.
Please stop the cart, please stop the cart, push the cart, pull the cart.
Garnier Fructis shampoo
Aveda Damage Control conditioner
Clearsil facewash
Axe Kilo body wash
Crest toothpaste
Axe Kilo Deodorant
Aveda Custom Control hair product
Theo Eyewear
Express jacket
Banana Republic Undershirt
FCUK Underwear
Bullhead Jeans
J Crew Tube Socks
American Eagle Shoes
Armani cologne
Sara Lee bread
Best Choice provolone cheese
Best Choice spicy mustard
Deli ham
Yoplait yogurt